Quincy, Jesse, Basie and Me at the Rainbow Room

Inside Count Basie’s 75th Birthday Celebration at Rainbow Room

In 1979, my friend, photographer Chuck Fishman, invited me to a party at the Rainbow Room in New York City to celebrate Count Basie’s 75th birthday.

Quincy Jones, Jessie Jackson, Count Basie and Leslie Wong (blue shirt) at the Rainbow Room for Count Basie's 75th Birthday celebration
Quincy Jones, Jesse Jackson, Count Basie and Leslie Wong (blue shirt) at the Rainbow Room for Count Basie’s 75th birthday party
Photograph courtesy of Chuck Fishman © 1979 Chuck Fishman

We were in the bowels of 30 Rock. Basie’s entourage was already loaded inside a giant freight elevator. Basie drove in last, on his red electric scooter. I stood there watching the packed group in front of me as the elevator doors were about to close, when Chuck motioned for me to get in, too.

The elevator left us off in the 65th floor’s service area. As everyone walked into the main room, Chuck walked backwards in front of Basie to get a shot. I leaned in for a photobomb.

The rest of the party is a blur, but one moment remains crystal clear. I found myself standing at the end of a small, black lacquer upright piano, watching Stevie Wonder play.

Photograph of the Rainbow Room nightclub, Rockefeller Center, New York, USA. By bradfordschultze - Photograph by user: bradfordschultze,
The interior of the Rainbow Room (photographed in 2004). Note: This image is included for atmosphere; it was not taken during the 1979 party. (Public Domain photo by Bradford Schultze via Wikimedia Commons).

Popular Science by Celestron StarSense Explorer DX 100AZ

Popular Science by Celestron StarSense Explorer DX 100AZ telescope
Popular Science by Celestron StarSense Explorer DX 100AZ telescope with the StarSense Explorer app on iPhone

I’ve had an interest in the cosmos since I was a kid. On backpacking trips as a Boy Scout in the Sierra Nevada mountains in California, I was able to clearly see, for the first time, the Milky Way under dark night skies.

My first and only view (until a month ago) through a telescope was when I accompanied my sister, Alberta, on a Girl Scout trip to the Chabot Science Center in the Oakland, California hills. It was probably in the early 1960s. I saw Saturn and its rings through Chabot’s 20-inch (510 mm) refractor telescope, Rachel.

After mentioning my interests in the cosmos, my friend Lori told me that the library had telescopes that I could borrow. I found that my library system, the Marin County Free Library, not only has books, but it has a “Library of Things… a collection of physical objects that may be borrowed.”

A few weeks ago, I was in my branch library and saw one of the telescope cases on a shelf. It was a little too heavy to carry for ½ mile, so I drove back the next day and picked it up. It is a Popular Science by Celestron StarSense Explorer DX 100AZ telescope.

The telescope was fairly easy to setup, and the library provided the code for the StarSense Explorer app (iOS, Android). I got it just in time to attempt to see Comet Lemmon (C/2025 A6). Kipp went with me to an open field with a view of the western sky but after doing research with ChatGPT (https://chatgpt.com/share/69192772-1800-800a-879e-201d8b332592) and using Stellarium (https://stellarium.org/) and other online resources, I spent about two hours after sunset and never saw Comet Lemmon.

The location of my house is extremely sub optimal for using a telescope. The backyard probably has a 10° view of the sky directly overhead. The front of the house has a streetlight ~110 ft (~33 m) away.

Undaunted, a few days later, I set up the telescope around 11:30 pm and sat down on my front steps to take a look.

Palm Tree, Larkspur, California
Palm Tree, Larkspur, California

I had previously aligned the finderscope and the StarSense Explorer app by focusing on a palm tree about a quarter mile away.

I used the Stellarium app on my Pixel 10 Pro to locate Jupiter. My iPhone was sitting in the StarSense Explorer phone bracket. I was a little dubious that I could calibrate the app during the day, take the telescope back out at night, put the phone back into the bracket and it would be accurate. I went through re calibrating it by aiming the telescope at a streetlight about 300 ft (91 m) away.

Lens cap/smartphone holder for the Popular Science by Celestron StarSense Explorer DX 100AZ telescope
Lens cap/smartphone holder for the Popular Science by Celestron StarSense Explorer DX 100AZ telescopeThe plug is pulled out, then the eyepiece is inserted in the large hold. The smartphone attaches to the other side with bungee cords, that didn’t come with my telescope.

The telescope’s lens cap doubles as a smartphone holder for astrophotography. Unfortunately, my version of the telescope borrowed from the library didn’t have the bungee cords to hold the phone over the hole over the eyepiece, so for my feeble attempts at astrophotography, I tried to hand hold my Google Pixel 10 Pro over the eyepiece to take a photo. Given that the Pixel 10 Pro has three lenses that are visible on the camera bar, it was pretty confusing figuring out which lens I should hold over the eyepiece. On the Pixel camera setting, I set the lens selection to manual, so I could select ultra-wide, wide and tele without the slider.

The pictures were pretty sub optimal. That’s when I learned about more about visual astronomy and astrophotography.

Jupiter and four moons through a Popular Science by Celestron StarSense Explorer DX 100AZ telescope
Jupiter and four moons through a Popular Science by Celestron StarSense Explorer DX 100AZ telescope

Looking through the telescope with the 25mm eyepiece, I could see the barely see two atmospheric bands around Jupiter and four moons very distinctly (the bands don’t show in the image taken by the Pixel 10 Pro held over the eyepiece).

The quarter moon I saw was dramatic. Visible were mountains, craters, and the terminator. I had a very difficult time holding the phone over the eyepiece to get a decent photograph.

The Moon, through a Popular Science by Celestron StarSense Explorer DX 100AZ Telescope
The Moon, through a Popular Science by Celestron StarSense Explorer DX 100AZ Telescope

When I turned the telescope towards Saturn, the rings appeared as a tiny wisp sticking out from the planet. I read that in late October and early November 2025, when I was looking, Saturn’s rings were oriented nearly edge-on to Earth’s line of sight, making them appear to “disappear” or become nearly invisible.

There is undeniably a thrill for my first time with visual astronomy. But with the entry level Popular Science by Celestron StarSense Explorer DX 100AZ telescope, planets are fuzzy bright lights, stars are bright pinpoints and visible galaxies looked like gray smudges. You can find spectacular images of the planets like this “enhanced-color image of Jupiter’s bands of light and dark clouds was created by citizen scientists Gerald Eichstädt and Seán Doran using data from the JunoCam imager on NASA’s Juno spacecraft” or even live streaming view from the Hubble telescope and Webb telescope.

This enhanced-color image of Jupiter's bands of light and dark clouds was created by citizen scientists Gerald Eichstädt and Seán Doran using data from the JunoCam imager on NASA's Juno spacecraft.
This enhanced-color image of Jupiter’s bands of light and dark clouds was created by citizen scientists Gerald Eichstädt and Seán Doran using data from the JunoCam imager on NASA’s Juno spacecraft.

These are direct links to sites where I read news about space (I get their RSS feeds and read them using feedly.com):

Charley the Monkey

Monkey Memories

Charley the Monkey
A photograph of Charley, a member of the Wong family for over 30 years

One morning, before my day in 5th or 6th grade at Crocker Highlands School, I was in the kitchen getting something to eat. I heard a noise in the downstairs water closet. The small room had only a toilet and a single window eight feet above the floor that opened to the garage roof. When I opened the door, I saw a light tan colored tail, curled and sticking out from behind the toilet. It was attached to a monkey.

My parents were still in their bedroom when I went to tell them. They called the”Oakland pound” (Oakland Animal Services). The “pound” came out and picked up the monkey to quarantine it, and three weeks later, they said, it’s yours. Somehow, my parents agreed to have a fifth member join the family, and we named him Charley.

I have a faint recollection of seeing a monkey on our clothesline a few days before. Our backyard had a lot of fruit trees: pear, loquat, orange, apple and lemon trees. There were also blackberries, wild strawberries. Maybe that’s why Charley was hanging around our house. But we never found where Charley came from. When we found him, he was very young, had a gash on his leg and no collar.

In the early 60s, monkeys were sold in pet stores. We went to a pet shop on Fruitvale Avenue in the Dimond District of Oakland and bought a cage and a book – “Monkey Business,” by Gus and Casey Augspurg.

The cage that we put in the basement was about 4’x3’x3’ . At first, during the day, we kept Charley outside in the front yard with his leash attached to a spiral tie out stake. He could jump up and climb on the magnolia tree. At night, Charley would sleep in his cage in the basement and in the morning, he would let us know that he was awake by shaking his cage.

A photograph of the cover of the book, “Monkey Business” by Gus and Casey Augspurg.

Charlie’s canine teeth were sharp. Once, when he bit the middle finger on my right hand, I instinctively pulled my hand away and caused a laceration. I still have scars on my hand from Charlie’s bites.

When he bit a kid, Charlie moved into a big cage. My Mom got a cage from one of her bridge player friends who had something to do with Children’s Fairyland. It was a big cage on casters, maybe 6’x5’x4’ with a bar at the top for a perch, and a rope hanging down the middle for swinging.

Our morning routine was the give Charley some milk to drink, about two or three ounces, warmed up in an old pill bottle. My dad (an accountant) used to get produce from one of the supermarkets that was one of his clients. Charlie ate lettuce, carrots, nuts, fruit, insects and an occasional raw egg. Besides those things, we started feeding him food that we ate. We’d put some cooked rice in a cupcake baking cup with whatever protein our dinner had: a shrimp, a little piece of beef.

Most of the time, my dad took Charley inside to his basement cage at night. They’d sit on the front porch for a while as my dad smoked a cigar before going down to the basement.

Once Charley got out of his cage and ran down the street. He climbed a tree in front of the Duhe’s. I ran down the street after him and when I called him, he came right down to me.

So we could take Charlie on vacation with us, Dad bought a 1964 Ford Fairlane 500 Ranch Wagon. It was Wimbledon white with a 289. (I later probably cracked the engine block on a trip to LA with Bruce Baxley, by pouring cold water into an overheating engine). I remember one trip to Monterey. My dad had a friend that owned the Casa Carmelkorn store on Fisherman’s Wharf. Our family would drive down from Oakland and stay at the Borg’s Motel. Charley slept in a cage in the car.

Honki L Wong and Charley the Monkey
Honki L Wong (dad) and Charley in my dad’s office; Charley is not smiling (from my sister’s (Alberta Mayo) Old Family Photos flickr album

Charley liked to draw. On the way to the basement, Dad and Charley would go through my Dad’s office. Dad had those large continuous form computer printouts and Charley would take a pen or pencil (after chewing on it a little) and scribble on the printouts. It seemed that Charley was aware that he was having an effect with his drawing.

We only had one telephone for the entire house. It had a long extension cord that reached almost to the top of the stairs to the second floor. My mom used to sit on the stairs talking to her friends in Chinese. (That’s how my ear became attuned to the Shanghai dialect, even though I can’t understand it) My mom would be on the phone with Charley on a leash. Charley would draw on the wall with a pencil.

After my dad died in 1980, it was just mom taking care of Charley. My sister, Alberta was living in Houston or Boise, and I was living in New York.

One time I came home from New York, Charley had a large tumor on his chest. My mom took him to the vet, and the tumor was removed. The vet said that Charley wasn’t getting enough fat in his diet. The vet said to feed him Purina High Protein Monkey Chow. Charley didn’t like it.

By the early 90’s, Charley had been in the family for almost 30 years. He was getting a little too difficult for my mom. She found a primate sanctuary (though I can find no record of it) near Davis, California that took Charley.

Brown Trout, Provo River, Utah

Brown Trout, Provo River
Brown Trout, Provo River

I was fly fishing on the Provo River, at the Provo River Access, when a bunch of Pale Morning Dun emergers started appearing on the surface of the water. That caused a bunch of previously hidden trout to come to the surface and start sipping feverishly. It was one of those adrenaline inducing moments for a dry fly angler when you can see trout making little disturbances on the surface of the water. I caught three trout in about ten minutes, then they stopped.

I hooked this beautiful brown trout and managed to bring it in, but quickly discovered the juggling act of solo fishing photography. Without a net, trying to hold a decent sized slippery fish with one hand while operating an iPhone with the other is nearly impossible. The trout slipped from my grip back into the shallow water, giving me just enough time to capture this shot before bringing it back in to remove the hook then send it back home.

A rising brown trout

Bradley’s, Home to Me

I wrote this on Medium in 2014 and I’m reposting here cause I’ve run out of time to do a post for July 2025.

Though Wendy Cunningham, Bradley’s owner, once called it a saloon with music, to me, Bradley’s was the epitome of a jazz club. There were usually duos, playing piano and bass, though in the late 80’s they added trios (with drums) and quartets (with saxophones or trumpets). The room was a small, intimate place with just a few tables and a long bar but it was the great musicians that played there that gave Bradley’s its life.

I never thought I’d be a regular at a bar but after going to Bradley’s for 20 years, I felt at home. Though it was a slog from where I lived on the Upper West Side, I’d go a couple of times a week, taking the 2 or 3 train from 72nd street to 14th and then walking across Greenwich Village to University Place. I’d usually arrive around 11 PM, in time for the second set. Sometimes, after the last set at another jazz club, I’d get there at 2 AM and a few minutes later the musicians that I had just seen at the other club would trickle in. Because Bradley’s was also a hangout for musicians, occasionally there were incredible jam sessions that might start at 3 in the morning.

I met Bradley Cunningham when Harry Madsen, the cousin of my best friend Eugene, was having drinks and smoking cigars with Bradley at one of the back tables near the kitchen. Bradley, in turn, introduced me to Macanudo cigars. When he died in 1988, the New York jazz scene lost one of its champions but under Wendy’s guidance, the club continued to support the music. For years, I listened to great music, had great conversations with friends and strangers, drank a lot Scotch whisky and smoked many cigars at Bradley’s. I was living — I even met my future ex-wife there.

When Bradley’s closed in 1996, the jazz journalist Russ Musto wrote, “The demise of Bradley’s signaled the end of an era in the history of jazz in New York City. The room was much more than just another jazz club. It was a social center where the music community came together [creating] an atmosphere of camaraderie.”

Hanging on the wall at the end of the bar, there was cartoon, a gift to Bradley by the New Yorker cartoonist Frank Modell. In it, a businessman in a suit was standing in the open front doorway of the bar, his fedora tilted slightly back, with his two suitcases at his side. The caption read, “Hi Everybody, I’m home!” Modell signed the print, “Bradley’s, Home to Me”

The great writer, Nat Hentoff, wrote a this paean, “The Perfect Jazz Club,” to Bradleys.